ژانرها کمدی

In a Medieval Roman chapel, now an oratorio, an elderly factotum sets up for rehearsal. The musicians arrive, joking and teasing. A union shop steward explains that a TV crew is there, talking to them is optional, and there will be no extra compensation. Musicians talk about their instruments. The German conductor arrives and puts them through their paces. He yells, he insults. The shop steward calls a 20 minute break. The conductor retreats to his dressing room and talks about how the world of music has changed, moving away from respect for the conductor. He returns to the rehearsal to find the orchestra in full revolt. What can bring them back to the music?

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise. Rodolfo falls in love with Mimi, a barmaid. The day he asks her to move in with him, he is deported. Six months later, he sneaks back to Paris, and Mimi leaves her new boyfriend to be with him. Conflicts arise, especially around their poverty, and soon Mimi and Rodolfo separate, as do Marcel and his Musette. The three men scrape together a meal to celebrate All Saints' Day, and Mimi arrives, ill. Can her friends bring her back to health? Can love rekindle?

Augusto, Carlo and Roberto are scam artists who often work together, middle-age divorced Augusto the spiritual leader of the three in being the oldest and most seasoned in the business. They either are immune to the notion that most of their victims are not wealthy - most uneducated, rural peasants - or don't care, in each of their scams netting them in total at most a few hundred thousand lira at a time. Each of the three is at a different stage of his life which makes Carlo and Augusto examine what they're doing more critically, each stemming from a specific incident. Roberto, the youngest, still lives solely for the here and now and will take whatever money willingly in supporting that notion. Carlo would like to make a living as an artist, hence his nickname of Picasso, if only it would support him, his loyal wife Iris, and their adolescent daughter Silvania. While Carlo has told Iris that his frequent absences is in his work as a traveling salesman with Augusto, Iris can no ...

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah (1949).

Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shop. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over for them, fearing the worst.

Gérard, CEO of the factory "La voix du peuple", decides to close his factory by dismissing all his staff, starting with Jean Barbier, the chief of staff, and Phil Dechambre.

After two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.

At Stanlio's urging, Ollio foists himself off as the dread singing bandit Fra Diavolo and unknowingly attempts to rob the notorious brigand himself. As punishment, Diavolo orders Stanlio to hang Ollio, but gives them a second chance when Stanlio bungles the job. Taking them on as his retainers, Diavolo travels to the Tavern de Cucu in his guise as the foppish Marquis de San Marco to rob the rich, aged Lord Rocburg and woo beauteous Lady Pamela. Stanlio drives Ollio and the innkeeper to distraction by playing "earsie kneesie nosie" and "finger wiggle," and gets drunk helping Ollio fill tankards of wine, sending him into an uncontrollable laughing fit. The boys plot to capture Diavolo but wind up with him in front of a firing squad.

Bepi is a gondolier and he wants to marry Nina. Bepi, however, likes exotic girls. So Nina, after a fight with Bepi, decides to marry Toni who is richer, who is liked by her family and who is the owner of a motor-boat. But when all the difficulties appear to be worked out and the marriage date is settled, a problem arises: Bepi is engaged at the same time to Nathalie, Janet and, of course, Nina. Will Bepi be able to wiggle out of his dangerous position, to marry the woman he really loves?

Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?